Jahan pehli baar mein hua tha pagal ab uun rahon mein koi nahi hai ab hai woh rahe. Jahan kal khayi thi jeene ki marne ki kasme todi thi duniya ki saari rasmein Jahan kal narmi narmi hi thi pyar hi payaar hi tha hathon haththe Jahan ek chehre se hatti nahi thi meri nigahein Jahan meri bahon main nikhalti kisi ki mari mari bahein
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after his breakthrough debut Hindi album, 'Breathless,' released by HMV. Rangeen rangeen mehki rut main har ek kadam pe ras rachaye the SHANKAR MAHADEVAN PROVED he could extend his vocal prowess beyond his native. Vo jo kabhi aaya tha, nazron pe chhaya thaĪb jo mere din aur ab jo meri ratain hainĪb jo mere din aur ab jo meri raatein hain unmein sirf aasun hain unmein sirf dard ki ranj ki baatein aur faryadein hain mera ab koi nahin main hoon aur khoye hue pyaar ki yaadeinĭoob gaya hai dil gham ke andhare meri saari duniya hai dard ke ghere main Khwaabon ke dar jaise aakhon main khulne lage Tu Pass Hai Lyrics- Get Breathless - Shankar Mahadevan And Javed Akhtar Tu Pass Hai song Lyrics in Hindi.
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Kaanon main mere jaise, shahed sa ghulne lage Jab bhi hum janme to hum yahin milte hain Gul jo khile hain, unhe aise hi khilna tha
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Hum jo mile hain, hamain aise hi milna tha Lahron lahron baat kare to jaise moti barseĪur chhann se tootey jaise koi chhip ke sitaar bajaye Sapnon ka saagar jismain prem sitaron ki chaadar Ans then he had to compose it Keeping the music and tone constant and unwavering, he had to compose it without making it sound monotonous. Kaise use paaya tha, pyaare se chehre pe bikhri jo julphenĮk os main dhula hua phool khila hai jaiseĪur jhaank raha hai jaise raat ke parde main One day when Shankar met Javed, Javed handed him four fullscape sheets with the lyrics on them - almost like an essay. Saason main toofaan hain, hoton pe nagme hainĪakhon main sapne hain, sapnon main beete hue saare vo lamhe hainĭil main samaya tha, kaise main bataun tumhe Jaagi ummengein hain, dhadak raha ahi dil The album’s magnificent achievement is, of course, Breathless! Transcending the gimmick of breathless, non-stop singing, Shankar produces a highly engaging Yaman Kalyan raaga based melody and adorns it with some scintillating music that keeps the sound steady and unwavering, to prop the breathless idea.Jaise meri saari duniya main geeton ki rutĪur rangon ki barkha hai khushbu ki aakdhi hai It seems to me like Mohanam raaga and it gets even better with the Pahadi-style interludes. Ghul raha hai‘s melody is really affecting and pleasant.
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Koi nahin hai‘s desolate sound and lyrics combination takes flight when Shankar splendidly reaches for the higher pitch with the ‘Ik gehra dukh’ line! That ad-jingle style ‘Woh din bhi kya the’ interlude is an interesting diversion before closing the song with classy violin backdrop! Mano ya na mano is an early sign of the music that we eventually came to identify with the Shankar-Ehsaan-Loy trio! The sound is still very Indipop of that late 90s, but the racy desi tune is very reminiscent of what the trio produce so often. Tere khayalon se‘s exotic sound is perhaps owing to its possible use of the Middle Eastern’ish Vakulabharanam raaga and the music is early Rahman-style, complete with a pulsating ‘Deewana’ interlude. One of the most classic songs of the 90s, Shankar Mahadevans Breathless serenaded the listeners with its soulful lyrics and the singers extraordinary ability to sing in one breath truly had left everyone breathless.But it was what thrilled the Bangalore Days actress Parvathy Thiruvothu to take a new internet challenge of lip-synching the fast track in an even faster setting. There’s some fantastic guitar work for the interludes, even as Shankar’s tune for the antara too being so good! Taufiq effortlessly works his magic in Jane kya hua too! Shankar’s tuning of Javed Akhtar’s reminiscing verses in staccato sentences is really catchy, closing with the almost-Bhajan’ish kumbaya! Shankar’s handling of Javed Akhtar’s lovely lines, by extending each line without a break is a neat touch before he opens the melody with the ‘Harpal yahi’ connection. Taufiq Qureshi’s gradual build-up in the percussion really kick-starts Tu paas hai beautifully.